The Difference Between Hausas and Fulanis

The Hausas and the Fulanis are two distinct ethnic groups found in Northern Nigeria, but they have become closely intertwined in the minds of Nigerians and the rest of the world. Hausa/Fulani is now a single term used to describe the Muslims that live in the North and form one of the three main ethnic groups in the country along with Yorubas and Igbos.

Fulani Girl from Sokoto, Nigeria

It is true that the two tribes are very similar: both share a strong Islamic identity and certain customs including the Hausa language, and both groups have intermarried over centuries to almost become one.

But the Fulanis are sometimes loathe to be grouped together with the Hausas because of pride in their own distinct and distinguished history.

Fulani Father and Child from Kaduna, Nigeria

The fact that it was the Fulanis (also known as Fulbe, Puel or Fula) who brought Islam by force to the pagan/animist Hausa states in Nigeria centuries ago also gives them a sense of religious superiority. Also, the Fulanis throughout history have held leadership roles in the various Hausa communities they settled into, working as judges, teachers, emirs and clerics.

These leadership positions continue today as most Northern presidents and heads of state in Nigeria including Umaru Yar'Adua (President from 2007 - 2010), Sir Abubakara Tafewa Balewa (Nigeria's first Prime Minister), Shehu Shagari (President 1979 - 1983) and Aliko Dangote (Richest Black Man in the World) are of Fulani descent.

The Fulani's traditional nomadic lifestyle of roaming the countryside in search of pasture also distinguishes them from the 'settled' Hausas who live in towns, although most Fulanis are now settled in towns. Fulanis also derive much of their foods like Fura da Nono (Millet cakes and yoghurt) and Main Shanu (savoury butter) from their cattle, unlike the Hausas.

Both Fulanis and Hausa women wear henna dye on their hands and men and women from both tribes in rural areas often have dark facial tattoos, but Fulani men traditionally wear wide-brimmed straw hats with a pointed top, loose kaftan and shorts/trousers and carry sticks when herding; whilst the women's traditional costume is a white midriff-exposing top and matching wrapper with pastel coloured patterns. But like Hausa women, they ordinarily dress modestly in headscarves, covered tops and wrappers made using African print material.

A Fulani herdsman wearing a pointed straw hat, loose kaftan and stick

Fulani woman wearing the traditional white costume

Fulani girl wearing everyday clothing of African print material 

Fulanis also have their own language, Fulfude, which is very different from Hausa. However the Hausa language is commonly spoken by many Fulanis in Nigeria, and for some Hausa has replaced Fulfude as their mother-tongue.

Also, the two tribes have different histories.

The origin of the Fulanis, the largest nomad/pastoralist group in Africa, is obscure, but many link them back to Mauritania due to their similarities in appearance, existence of a Fulfude speaking minority there and the possibility of a North-Western origin of Fulani migration. From the 14th century they spread from Senegal into over 20 countries in Western Africa including Guinea, Gambia and Sudan.

Hausa Woman from Kebbi, Nigeria

The historic Hausa kingdoms, as legend has it, was formed when a Prince from Baghdad named Bayajidda, married a Princess from Borno, Nigeria. His seven sons born of the Princess formed seven 'legitimate' Hausa states in Nigeria today which include Kano, Katsina and Zaria, whilst Bayajidda's seven sons by his concubine formed seven 'illegitimate states,' also known as Banza Bakwai (Hausa word meaning 'Bastard Seven') and included Kebbi, Gwari, Nupe and Illorin.

Hausa Father and Son from Kebbi, Nigeria

The Hausa kingdoms were later defeated by the Fulani Muslims who had arrived into Nigeria and, forming a kinship with the Hausas, settled amongst them. But dissatisfied with the pagan Hausa leaders that ruled them, the educated and radical Fulanis undertook various religious wars or jihads in order to install an Islamic leadership.

One such jihad was led by Usman dan Fodio in 1804 and resulted in the formation of Sokoto Caliphate which became a powerful empire in Northern Nigeria. The Fulanis ruled over this booming economic, military and scholarly kingdom that traded successfully with the rest of the world.

Fulani writer and leader Usman da Fodio (1754 - 1817)

After the fall of the Sokoto Caliphate as a result of British invasion, the Fulanis continued to intermarry and live together with the Hausas. But they often maintained a cultural distinction noted in their stricter adherence to Islam and leadership positions as part of the elite of Northern Nigeria, as well as physical distinctions noted in their lighter skin and slimmer features. This together with an awareness of their history of conquest and rulership often gives rise to feelings of superiority by the Fulanis over the Hausas.

I'm Back in Love With Chimamanda Adichie Again

Permit me this double-mindedness dear reader.

I know I first espoused my absolute adoration of Nigerian author Chimamanda Ngozi Adichie in  "Chimamanda Adichie, Natural Hair and Me", and she was number one in my list of "6 Nigerians that Make Me Proud", but then I spoke about my disappointment in some of her words and actions in "How Adichie Fell of Her Pedestal".

I declared that to me she was no longer this wonderful being; she had fallen off her pedestal and I now saw that my hero-worship of her was flawed and ultimately doomed to failure because she was human and imperfect.

I'm in love with Chimamanda again

But I've changed my mind. Adichie is brilliant and I cannot lie. She really is. I never totally denied her genius, but I was (temporarily) turned off by the harshness I noticed and her lack of warmth towards fans, as well as her sense of superiority. But I've since been able to reacquaint myself with her poise and wisdom through consuming some of her interviews and speeches, and I have changed my mind.

But was it she that changed? Was she always this fountain of witty, thrilling anecdotes that illustrate her points so succinctly? Was she always this playfully intelligent, erudite and clear-minded sage that never over-did her power to enchant listeners, was often endearingly shy, with her voice sometimes quivering (nerves?); was she always such a delight to listen to?

Or did she sense that she was tipping over the edge in terms of believing the hype and becoming egotistical, and decided to backtrack, repent and transform into this luminous, graceful woman that has audiences rapt in attention?

Was it that I knew she was this impressive and true but that that reality was usurped by the furore surrounding her 'mailbox interview' and calling a fellow Nigerian writer one of her 'boys'?

Well, although I wouldn't go as far to say I regret ever seeing her in a bad light - because when I wrote about her falling off the pedestal of my mind I meant it, and was very sad about it - but I have now been re-awakened to the beauty of her intelligence. I let small slights overshadow the beautiful thoughts this woman continues to pour out, and it is a privilege to be alive when she is 'in vogue.'

Her Interviews in Nigeria vs Her Interviews in England or America

It strikes me as interesting that the interviews she does that many including myself find displeasing are those she does with Nigerian interviewers. The interview where she angrily chided the interviewer for calling her 'Mrs' and declaring that she does not want that title (despite being married) happened in Nigeria. I think she has less patience with Nigerian interviewers- as if they rub her up the wrong way, and she often comes off as a snooty, humourless 'feminist' in all the terrible connotations of the word that scare Nigerian men and traditional women.

However, she is very accommodating, genuine, warm, bright, candid, full of humour and laughter and ever so generous with her informed opinion with British and American interviewers. And they are completely enchanted by her. Her articles are widely published in The Guardian newspaper, and Channel 4 News love her.

Adichie discussing her latest book Americanah on Channel 4 News with Jon Snow

Channel 4's lead anchor, Jon Snow (who I love by the way. And he's married to a fully African woman, a brilliant intellectual type named Precious Lunga from Zimbabwe. Jon Snow is also very progressive, I just love the man) particular seems to be taken by her, and I don't mean in a silly, British-paternalistic-fawning-kindness-to-Africans-out-of-some-misplaced-guilt-over-colonialism way, but in a respectful "I like that you are intelligent and African and a Nigerian and a woman, so please shed some light on Boko Haram. Your type of voice is so rare and so needed right now" way.

My favourite Channel 4 News lead anchor Jon Snow and his wife Precious Lunga

He truly engages with her in these interviews and I love that she repays his trust in her capabilities with searingly acute dissections of Nigerian politics that retains her patriotism but pulls no punches.

I think I'm starting to see Chimamanda not only in a different light, but in broader aspect. Sometimes she has bad days and sometimes she has great days. She is of course always poised, but in some interviews she is more 'switched on' and happy than in others.

Take this interview with Lola Ogunnaike for Arise Entertainment 360 for instance. Her body language is closed (crossed legs, crossed arms and she taps her fingers often, a sign of impatience or nerves), she seems uncomfortable and lacks a certain joie de vivre she often has, although she is gracious in her answers.

Ogunnaike (whose regal tone and confident cadences makes me swoon with admiration; she reminds me of the elegant Ivanka Trump) does overdo the fawning and lashes on the acclaim, and I could see Adichie cringing under the layers of superlatives bestowed upon her; at one point Ogunnaike asks: "What does it feel like to be a literary rock star?"

Compare it to this interview below with Damian Woetzel, where she is much more lively, fierce in wit and delivery and brimming with humour, masterfully engaging and real in relaying her profound feelings of identity, Africa and other subjects; I could listen to her forever. (It's also funny how she sits where the interviewer is supposed to sit by mistake, and I like that the man is gracious enough to allow her, without insisting that they swap.)

Adichie's interview with Damian Woetzel is tremendously entertaining

The interview is particularly wonderful, and! Somehow, she manages to mention Fulani and Fulfude! The last question from an audience member was from a Fulani woman from Guinea, and when Adichie asks her "Do you speak Fulfude?" I was like wow.

Biafra, Feminism and Homosexuality

Adichie is also very brave. She has not only wrote and spoken extensively about the Biafran War, an incident Nigeria wants to forget (the film based on her book Half of a Yellow Sun which tackles the war has been banned from screens in Nigeria), she also focused one of her TED Talks on Feminism (below) and wrote a lengthy piece describing the injustice of Nigeria's anti-gay laws.

Biafra, Feminism and Homosexuality: You couldn't find three more controversial, incendiary, polarizing and hot-button issues in Nigeria today, and she skewered them all effortlessly. You may or may not agree with her, but you cannot deny that she addressed all the points and presented her case well. She is fearless, and exemplifies this famous quote by Marianne Williamson:

We are all meant to shine, as children do
We were born to make manifest the glory of God that is within us
And as we let our own light shine,
We unconsciously give others permission to do the same.

The clarity of her thoughts, fierceness of her convictions and power of her delivery gives me the freedom to be bold.

My initial reaction to her feminist talk was to disagree, because contrary to the norm (educated, first-generation British-African woman born in the 80s tend to be quite the feminist) I'm a traditionalist and my post titled "I'm a Submissive Woman, What's Wrong With That?" explains my stance.

But I listened to it again and found myself nodding to and agreeing with everything she said. There was no need to insult or demean men to gain our rights, she was saying, but a Nigerian woman (she concentrated her observations on Nigerian culture, much to the delight of the Nigerians in the audience who clapped and laughed generously at her often very funny observations) shouldn't have to shrink from success to enable a man to feel good.

Adichie's is the best modern, globally-sound Nigerian voice we have right now.

I used to imagine the things the great boxer Mohammed Ali would say today if he could talk. The man that was so vocal about race, politics, religion and his own greatness in the past I imagined would have a lot to say about Obama and various aspects of African-American culture today. What a shame that he is unable to inspire our generation with his words, and how cruelly ironic too, that he has had to live his final years voiceless, when he was once celebrated for his exuberant oratory.

Well, Chimamanda Adichie is someone who is using her strong voice to stoke the flames of intellectual debate about the most important issues of our time, and I have fallen in love with her all over again.